
Luka Savić: Splošna filozofija in izpoved posameznika
Umetnik: Luka Savić
Kurator: Guy Robertson
26. 2. – 11. 6. 2020, Galerija Škuc
RAZSTAVA JE ZARADI COVID 19 PODALJŠANA DO 11. 6. 2020.
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Obrazstavni dogodki:
26. 2. ob 18.00: javno vodstvo z umetnikom Luko Savićem in kuratorjem Guyjem Robertsonom (dogodek bo potekal v angleškem jeziku)
12. 3. ob 18.00: pogovor med umetnikom Luko Savićem in gostom
26. 3. ob 18.00: javno vodstvo z umetnikom Luko Savićem
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Lepo vabljeni na odprtje samostojne razstave Luka Savića 26. 2. ob 19.00!
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Luka Savić na podlagi študija zahodne filozofije in estetike uporablja različne medije za ustvarjanje enigmatičnih instalacij, ki vključujejo in prilagajajo umetnostnozgodovinske reference ter filozofske ideje. Predvsem ga zanima, kako se abstraktni, univerzalni koncepti nanašajo na individualno izkušnjo: Kako naj, denimo, umetnik uporablja ikonografske motive – vizualne simbole in znake, ki jih umetniki uporabljajo že tisočletja – za komunikacijo s svetom, obenem pa upošteva tudi specifičnosti lastnih izkušenj? Savić nas nato vodi k naslednjemu vprašanju: Ali ima umetnost, ki stremi k univerzalno razumljivemu jeziku, večje izrazne možnosti od tiste, ki ne? Tako kot zamišljena muza v sloviti Melanholiji I Albrechta Dürerja – umetniškem delu, ki ga je Erwin Panofsky, čigar študije ikonografije so prelomnega pomena, opisal kot »objektivni izraz splošne filozofije in subjektivno izpoved posameznika«[1] – vandramo skozi Savićeve instalacije, gnani s simboli navidezno racionalnega in univerzalnega sveta, obenem pa ugibajoči o vlogi oblikovanja mitov in ustvarjalnosti pri prepoznavanju lastnega mesta znotraj njega.
Guy Robertson
Več o razstavi: https://bit.ly/2HIRYrq
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Luka Savić (1990) je umetnik in filozof, rojen v Ljubljani. Pred študijem filozofije na Filozofski fakulteti v Ljubljani je študiral vizualno umetnost na Akademiji za vizualne umetnosti (AVA) v istem mestu. Njegova dela so bila razstavljena širom Evrope, nazadnje v: Mahler & LeWitt Studios, Spoleto, Italija (kjer je bil rezidenčni umetnik); Arte Fiera Polis, Bologna, Italija; 31. Grafični bienale, Ljubljana, Slovenija; in Galerija DLUL, Ljubljana, Slovenija. Od leta 2011 do 2017 je bil asistent Mirana Moharja, člana skupine IRWIN. Od leta 2017 je sodelavec Studijskega arhiva Davida Gotharda, delujoč med Ljubljano, Londonom in italijansko Gorico. Kot gost je predaval na različnih institucijah po Evropi, pomagal pri oblikovanju scenografij in razstav: nazadnje razstavo ruskih ikon v Mestnem muzeju Ljubljana. Trenutno študira na magistrski stopnji na Oddelku za transdisciplinarne umetnosti dunajske Univerze za uporabne umetnosti.
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Kontakt:
Tia Čiček, tia.cicek@gmail.com / 051 807 849
[1] Erwin PANOFSKY, The Life and Art of Albrecht Dürer, Princeton 1995, p. 171.
Razstavo omogočata: Mestna občina Ljubljana in Ministrstvo za kulturo
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Luka Savić: General philosophy and the confession of an individual man
Artist: Luka Savić
Curator: Guy Robertson
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You are kindly invited to attend the opening of Luka Savić’s solo exhibition on February 26 at 19:00!
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Informed by his studies in the fields of Western philosophy and aesthetics, Luka Savić uses a variety of media to create enigmatic installations which incorporate and adapt art historical references and philosophical ideas. He is primarily interested in how abstract, universal concepts relate to individual experience: How, for example, can an artist use iconographic motifs – visual symbols and signs which have been used by artists for millennia – to communicate with the world at large whilst acknowledging the specificities of their own experience? Savić leads us to a second question: Does art which strives for a universally comprehensible language have greater expressive possibilities than one which does not? Like the confused muse in Albrecht Dürer’s famous Melancholia I – an artwork which Erwin Panofsky (whose studies in iconography were seminal) described as an “objective statement of general philosophy and the subjective confession of an individual man”[1] – we wander through Savić’s installations goaded by the symbols of an apparently rational and universal world whilst puzzling the role of myth-making and creativity in identifying our place within it.
Guy Robertson
More about the exhibition: https://bit.ly/3293qpM
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Luka Savić (1990) is an artist and a philosopher, born in Ljubljana, Slovenia. He studied fine arts at the Academy for Visual Arts (AVA) in Ljubljana before going on to study philosophy at the Faculty of Arts in the same city. His works have been exhibited across Europe, most recently at the Mahler & LeWitt Studios, Spoleto, IT (where he was artist-in-residence); Arte Fiera Polis, Bologna, IT; 31st Graphic Biennale, Ljubljana, SI; and at DLUL Gallery, Ljubljana, SI. From 2011 to 2017 he was an assistant of Miran Mohar, who is a part of the IRWIN group. Since 2017 he has been an associate of David Gothard’s Studio Archive, based between Ljubljana, London and Gorizia. He has guest lectured at various institutions across Europe, helped to create set-designs and designed exhibitions: most recently a Russian Icons exhibition at the City Art Gallery in Ljubljana, SI. He is currently studying for his MA at the faculty for Angewandte Kunst in Vienna at the department for Transarts (trans-disciplinary-arts).
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Exhibition events:
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Contact:
Tia Čiček, tia.cicek@gmail.com / 051 807 849
[1] Erwin PANOFSKY, The Life and Art of Albrecht Dürer, Princeton 1995, p. 171.