VideoDvorišče.8
Projekcija in pogovor
Četrtek, 9. 9. 2021, 20.00
Notranje dvorišče Galerije Škuc
Vse poti vodijo v sanje
Kuratorka: Anne Tassel
Trajanje: 54’
Izbor del v osmem programu VideoDvorišča želi približati dela avtorjev, ki se na posreden in neposreden način dotikajo različnih svetov – ti se fluidno premikajo med resničnostjo, sanjami, spolom, telesom in med prostori izražanja, ki jih avtorji raziskujejo in kjer iščejo skupne točke nasprotij. Izbrana dela se na navezujejo na sanje, kjer se takšna prepletanja zdijo mogoča in resnična. Projekcijo si lahko ogledate v četrtek, 9. septembra, ob 20. uri na notranjem dvorišču Galerije Škuc.
Neven Korda v delu Angelski venček na speedu (2006) pretočno raziskuje umetne svetove in pod vprašaj postavlja realnost, ker umetniku njena podoba ni všeč. Tako tudi Sašo Sedlaček, v videu Piknik na deponiji (2004) grdo okolje deponije uporabi za piknik in združuje umetniške akcije v tem neprimernem okolju. V kratkem filmu Woodman’s Bizzare Dream 2 (2009) raziskujemo sanjsko sfero, ki sta jo Matevž Jerman in Aleksander Pejić ustvarila in prenesla sanjsko napetost v resničnost ob ogledu. V video performansu Code I (2000) Dube Sambolec se umetnica ukvarja z avtomatiziranimi klišejskimi frazami, ki v performansu izgubijo svoj prvotni pomen, se dekonstruirajo, postanejo nadležne, avtomatizirane in se ponovno vračajo skozi isti cikel. Performansi se navezujejo na voljo posameznice_ka in nadzor v uporu in boju proti pritiskom in zlorabam. Video Vodna rokavica (2015) Nataše Prosenc Stearns združuje in raziskuje pravo roko z nemogočo vodno rokavico in s tem ustvari nov, v resničnem življenju nemogoč pojav. Jasna Hribernik nas v delu Ballabende (1995) popelje v romantizirane kontrastne svetove, ki se odzivajo in prepletajo z dvema različnima glasbenima žanroma. Video Pissing (2002) avtoric Martine Bastarda, Mateje Ocepek in Nataše Skušek preseže spekter spolov s preprosto akcijo stoječega uriniranja.
- Never Korda – Angelski venček na speedu (2006) – 4’42’’
- Sašo Sedlaček – Piknik na deponiji (2004) – 9’06’’
- Matevž Jerman, Aleksander Pejić – Woodman’s Bizzare Dream 2 (2009) – 3’15’’
- Duba Sambolec – Code I (2000) – 4’29’’
- Nataša Prosenc Stearns – Vodna rokavica (2015) – 58’’
- Jasna Hribernik – Ballabende (1995) – 21’46’’
- Martina Bastarda, Mateja Ocepek, Nataša Skušek – Pissing (2002) – 4’28’’
Organizacija: SCCA-Ljubljana / Postaja DIVA, Društvo Kraken, Galerija Škuc
Niz dogodkov VideoDvorišče pripravljamo s podporo Ministrstva za javno upravo.
Program SCCA-Ljubljana podpira Mestna občina Ljubljana.
Program Galerije Škuc podpirata Mestna občina Ljubljana in Ministrstvo za kulturo.
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VideoGarden.8
Screening and talk
Tuesday, 9 September 2021, 8 pm
Inner courtyard of Škuc Gallery
All paths lead to dreams
Curator: Anne Tassel
Duration: 54′
The selection of works in the eighth program of VideoGarden aims to bring closer the works of authors who directly and indirectly touch different worlds – they fluidly move between reality, dreams, gender, body and between spaces of expression that authors explore and seek common ground. The selected works are in a way related to dreams, where such intertwining seems possible and real. You can join us for the screening on Thursday, September 9, at 8 pm in the inner courtyard of the Škuc Gallery.
Neven Korda, in his work Angelic Wreath at Speed (2006), explores artificial worlds and questions reality. Sašo Sedlaček, in the video Picnic on a Dump (2004), uses the ugly environment of the landfill for a picnic and combines artistic actions in an extreme environment. In the short film Woodman’s Bizzare Dream 2 (2009) we explore the dreamier sphere created by Matevž Jerman and Aleksander Pejić which when viewed transfers the dreamy tension into reality. In the video performance Code I (2000) by the artist Duba Sambolec, the artist deals with automated cliché phrases, which in the performance lose their original meaning, deconstruct, become annoying, automated and go through this same cycle again and again. The performances thus touch on the individual’s will and control in rebellion and the fight against pressure and abuse. Video Water Glove (2015) from Nataša Prosenc Stearns combines and explores the real hand with an impossible water glove and thus creates a new, in real life impossible phenomenon. In her work Ballabende (1995), Jasna Hribernik takes us into romanticized contrasting worlds that respond and intertwine with different musical genres. Video Pissing (2002) by Martina Bastard, Mateja Ocepek and Nataša Skušek transcends the gender spectrum with a simple standing urination campaign.
- Never Korda – Angelski venček na speedu / Angelic Wreath On Speed (2006) – 4’42’’
- Sašo Sedlaček – Piknik na deponiji / Picnic on a Dump (2004) – 9’06’’
- Matevž Jerman, Aleksander Pejić – Woodman’s Bizzare Dream 2 (2009) – 3’15’’
- Duba Sambolec – Code I (2000) – 4’29’’
- Nataša Prosenc Stearns – Water Glove (2015) – 58’’
- Jasna Hribernik – Ballabende (1995) – 21’46’’
- Martina Bastarda, Mateja Ocepek, Nataša Skušek – Pissing (2002) – 4’28’’
More: https://bit.ly/3yKI2Wv
Organization: SCCA-Ljubljana / DIVA Station, Kraken Society, Škuc Gallery.
Kraken Society and SCCA-Ljubljana are part of the Veliki plan (Close-up) Consortium and supported by the Ministry of Public Administration.
The programme of SCCA-Ljubljana is supported by the Municipality of Ljubljana.
The Škuc Gallery programme is supp
